CERVANTINE CONFLUENCES IN DULCE MARÍA LOYNAZ

Abstract

This work is about literary similarities between the Dulce María Loynaz’production, the Cuban writer Premio Cervantes, and of the
Miguel de Cervantes’, essentially through loyciana’s work A summer at Tenerife and the classic cervantine The witty gentlemanly
Don Quixote. The analysis and appreciations about the loynaciano text stop in the convergences of style and the writing projections.
It is exhibited the nature of a plurisémico, narrative- explanatory cultural network, whose imaginaries, characters, locations, times
and perspectives deepen in a humanist sense and profound esthetic coronation, which defined the paradigmatic work of the Spanish
novelist; even there are identified connections in the speech narrative of both, like the trascendental spirit of creation which hold
them, the break of the conventional rules of literary genre and the wealth of the idiomatic system, it is confirmed that anything has
passed to posterity in its authentic personal style, articulated to contexts and specific circumstances. Cervantes, in an inexhaustible
peninsular sociocultural reality; Dulce María, bearer of an insular cross- border vitality.